Painting

Dusky Beet. Acrylic on board. 60cm x 40cm SOLD

Norwich UEA. Acrylic on board. 75cm x 45cm SOLD

Bluepunts. Acrylic on board. SOLD

Cambridge Drift. Acrylic on board. SOLD

Markham Moor. Acrylic on board. 60cm x 40cm SOLD

Septenary Helix. Acrylic on board. 40cm x 40cm £500.00

Cripps Building, Cambridge. Acrylic on board. 40cm x 40cm £350

Brutal Punting SOLD

Leaving Town. SOLD

Sugar Beet Factory III: Autumn 175cm x 122cm Acrylic on board SOLD

Beet Factory At Dusk SOLD

British Road Movies I: Flyover SOLD

North Circular Road SOLD

British Road Movies IV: Orwell Bridge 60cm x 84cm Acrylic on board SOLD

British Road Movies II: M25 SOLD

Yellow Barbican SOLD

British Road Movies III: A14 Underpass Rougham 40cmx40cm Acrylic on board. £400

Abstract Brutalism 1: London SOLD

Abstract Brutalism 2: Berlin SOLD

Abstract Brutalism 3: Sheffield Park Hill SOLD

Abstract Brutalism IV: National Theatre. Acrylic and pencil on paper. 40cmx40cm SOLD

Sheffield Park Hill SOLD

Sugar Beet Factory II: Spring. Acrylic on board. 118cmx74cm SOLD

Trellick Tower SOLD

Barbican 1 SOLD

Barbican 2 SOLD

Sugar Beet Factory I: Summer SOLD

Sugar Beet Silos SOLD

Badlands, Olympic Park. Acrylic on board. 118cm x 74cm. SOLD

Sunday League SOLD

The Edge Of Town SOLD

Moreton Hall Estate SOLD

The Drowned World. Acrylic on board. SOLD

Sugartown SOLD

The Beet Fields SOLD

The Last Time Ever I Saw Your Face SOLD

The Last Time Ever I Lay With You SOLD

The Last Time Ever I Kissed Your Mouth SOLD

Sea Land SOLD

Factory Radio SOLD

Your House Was Very Small With Woodchip on the Wall SOLD

Reggae In The Suburbs SOLD

Neighbours SOLD

Garageland SOLD

Much of my work is about looking at the urban and rural landscape of Britain in a new way. I'm particularly interested in post war Brutalist architecture, much derided for its austere appearance and often bulldozed out of history without recognition. The modernist shapes these buildings make in the landscape are appealing to me but i'm also interested in the trace of lives lived within these spaces. I'd rather draw a bus shelter than a Cathedral. The more familiar and mundane a place, the more it is generally ignored. It is my role as an artist to draw attention to the everyday British landscape; the housing, the motorways, the libraries, the bus shelters, the factories and industrial estates, the docks, the service stations, the out of town shopping centres, the last bastions of Brutalist architecture. I live in picturesque Suffolk but spend a lot of time examining it's concrete underbelly by walking in and out of towns and villages, along railway lines, motorways and river valleys.